Deconstruction discoveries…

 …An update on conservation trials of the Spangled Bed from the National Trust Textile Studio.

The Coarse red net that encased both curtains silk satin has been removed from the back of both curtains, previous stitch repairs have been removed and they have been carefully deconstructed into their lining and crimson silk satin. Removing the linings was a slow process due to their fragmentary nature and ‘crisp’ handle, and several areas required netting and tracings taken prior to removal.

This has revealed several fascinating finds. The curtains have been patched with six different types of damask patches, a linen patch and a plain silk patch. All of the patches appear to have had former uses. There is evidence of seams, lockstitches and darning repairs which are unrelated to areas in the curtain.

Proper Left Foot curtain – (viewed with the top of the curtain at the bottom of the page) showing seven types of different patches.

Proper Left Foot curtain – (viewed with the top of the curtain at the bottom of the page) showing seven types of different patches.

Pink damask patch at bottom of curtain, patched with another patch of same damask.

Pink damask patch at bottom of curtain, patched with another patch of same damask.

Pink damask patch no. 2 applied upside down.

Pink damask patch no. 2 applied upside down.

Seamed damask patch no.3

Seamed damask patch no.3

Pink plain silk patch – same as large patch in lining.

Pink plain silk patch – same as large patch in lining.

Yellow damask patch.

Yellow damask patch.

Green damask patch seamed to yellow patch.

Green damask patch seamed to yellow patch.

proper left head curtain - Satin patch adhered upside down. Same satin as arabesque design with the metal thread removed leaving design visible.

proper left head curtain – Satin patch adhered upside down. Same satin as arabesque design with the metal thread removed leaving design visible.

Damask patch of different design to lining adhered on the back of the lining.

Damask patch of different design to lining adhered on the back of the lining.

The position of the patches at the top of the curtains suggests that the curtains have been turned around with the patched damage having been originally at the hem. This is confirmed by the discovery of previous ring attachments at the bottom of the curtain, above the lower border. These would have been the original ring fixing points used to hang the curtains, and they may also be the original ring fixing from a previous use, thought to have been wall hangings (see image below, the white squares indicating ring attachment points).

sb10

There are several types and styles of seams throughout both curtains, including machine stitching, indicating there are several periods of repair and reconstruction.

Another yellow damask, of a different design to that used for patching the foot curtain, was also found at the heading of the head curtain as pieces, and attached to the right side lining panel as a narrow strip finishing as a wider panel at the hem. It suggests that the yellow damask was originally a full length panel seamed to the two colour damask lining and was cut away during a later period of repair and reconstruction.

the yellow damask panel found at the hem of the p.l. head curtain with a narrow strip attached down the length of the right side lining panel.

the yellow damask panel found at the hem of the p.l. head curtain with a narrow strip attached down the length of the right side lining panel.

The next stage of treatment is to construct a humidity chamber to relax the curtains and linings before wet cleaning is carried out following further tests.

Alex, Emily, Lucy, Melinda, Sarah and Zena

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One thought on “Deconstruction discoveries…

  1. Pingback: Spangled and patched | Treasure Hunt

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